Valeriya Aksakova

Download Now Server 1 Download Now Server 3 Download Now Server 2 Zin Display is a contemporary typeface designed for various situations of typographic usage. Characteristic feature is a large x-height and balance between neutral construction of letters (strictly vertical axis), dynamic open forms (opened terminals) and sharp instrokes, outstrokes and serifs. Another typical feature is a visually narrower connection between stems and strokes.    The complete font family consist of three width proportions (Normal, Condensed and Extended). Every sub-family has 5 weights, ranging from Light to Black with matching Italics.     Zin Display can be effectively used especially for display typesetting but works for longer text as well. It can be used especialy in magazine layouts and editorial design, as well in advertising typography, orientation systems, corporate ident

Download Now Server 1 Download Now Server 3 Download Now Server 2 The Vtg Stencil series of fonts from astype are based on real world stencils. The UK No. 2 design was derived from authentic one inch A2 Roman stencil plates from Great Britain, manufactured around the 1950s. Download Vtg Stencil UK No2 Fonts Family From astype

Download Now Server 1 Download Now Server 3 Download Now Server 2 The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes. Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design. Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by mor

Download Now Server 1 Download Now Server 3 Download Now Server 2 Captura is a friendly, geometric, sans-serif typeface family reduced to the essential attributes. It was designed by Anita Jürgeleit. It underlines your design, whether it is based on an eccentric or discreet characteristic. Headlines are looking great and text content remains legible with this workhorse font family. Twelve styles, small caps, and an expanded set of numbers match your magazines, infographics, menu cards, stationery, and advertising or movie titles. Additional currency symbols and additional fractions provide many opportunities to meet special international pricing requirements. Captura supports most Latin languages. Download Captura Font Family From Anita Jürgeleit

Download Now Server 1 Download Now Server 3 Download Now Server 2 This monospaced version of Galix was commissioned in 2037 by the space exploration company Earth2, as part of a major overhaul of their branding, which had used, since 2021, a generic sans serif (much like every other company). Many specialists in both design and space exploration suggested that this very rebrand started a chain of events that concluded with the invention of time travel in 2041. Contrary to the perceived notion put forward in popular Science Fiction, time travel is only (as of now) possible in the digital realm. It was considered fitting that included among the first files sent back in time should be the Galix Mono typeface, which was remade in OTF format to ensure that it would work with the technology available in 2019. Earth2, for all their insight, did not foresee that the releas

Download Now Server 1 Download Now Server 3 Download Now Server 2 Bionik is a squarish serif, especially designed for contemporary typography on print and screen. The super ellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With light rounded corners Bionik provides a soft and friendly atmosphere. The font contains 6 weights from ExtraLight to ExtraBold plus true italics. 944 glyphs include 218 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Bionik is a contemporary serif typeface, special for logotypes, brands, magazines and editorial. Download Bionik Font Family From Fontador

Download Now Server 1 Download Now Server 3 Download Now Server 2 Niko is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The wedge-shaped stem heads add liveliness and variety to the carefully crafted letterforms. Niko, a highly versatile type family consisting of 54 styles that are designed to work equally well on paper and on screen. The family includes condensed, as well as extra-condensed variations, for situations where space-saving typography is required. Download Niko Font Family From Ludwig Type

Download Now Server 1 Download Now Server 3 Download Now Server 2 Designed by Alberto Romanos, Bw Beto borrows cues from over 300 years of serif design evolution; from early renaissance typefaces to transitional models from the 18th Century, all filtered and interpreted without falling for design dogmas. Only with contemporary graphic branding functional and aesthetic needs in mind. It’s available in 2 optical sizes containing 5 weights with matching true italics each. Download Bw Beto Font Family From Branding with Type

Download Now Server 1 Download Now Server 3 Download Now Server 2 Halvar Stencil, an unbreakable industrial typeface Halvar Stencil expands on the Halvar universe by building on its industrial attitude: this German-engineered Schablonenschrift is a typeface for construction sites, power stations, data plates and anything that demands visual impact. Cutting stencils into the letters of Halvar reveals that the typeface is an engineer. With letters parted into circles and rectangles, Halvar Stencil is a practical typeface whose raw character is stabilised with consistency and solid workmanship. With bold weights well-suited to immense and brute uses and light weights that are airy and chic, it has flexibility to match its scale. Unusual amongst stencil typefaces for being constructed for complex and international operations, Halvar Stencil’s multi

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hurringtown is a collective modern hand lettering. Come with uppercase and lowercase, stylistic set, alternates, multilingual, etc to mix and match your design. This font is perfect for your design, logo, label, badges, apparel design, etc. I also made a design to mix and match pairs of letters to fit your design. Files included: Hurringtown (OTF) Features you get: - Latin A -Z and a – z - Numbers - International Symbols - Multilingual Supports - Alternatives - Ligatures All characters are available through Glyph panel as well, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Need to test out a word in this font? Just type it into the box below, and see what it looks like :) That's it! I r

Get Download Susie Font Family From Caron twice Susie specimen.pdf Susie is inspired by Chicago — a custom typeface for Apple Computer, Inc. designed by Susan Kare in 1984. Chicago was part of the Apple identity and a primary typeface in the breakthrough of Macintosh & iPod. And also a free typeface for users of Macintosh MacPaint and MacWrite. Susie shows a more contemporary look on this bitmap typeface. It honors the horizontal to vertical stroke width ratio. Optically it keeps the inner whitespace the same size and changes its treatment of round shapes. These forms, which seem round at the smallest sizes of the bitmap version, are strictly rounded. A fundamental change can be found in the diacritics, which are darker and more compactly connected to the character. The typeface has a very specific character that in itself attracts attention. As such it is ideal in places where something needs to be emphasised. It’s also a good choice f