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The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography.

Ardella Edges three subfamilies appear as - X01, X02, X03

These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs.

Full European latin based language support.

Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase.

Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

Download ARDELA EDGE Fonts Family From EllenLuff

Download Maraka Font Family From Rosario Nocera

Download Now Server 1 Download Now Server 3 Download Now Server 2 Maraka is a handwritten font family, drawn with a paint marker on rough paper, then scanned and turned into vector format. Maraka has a lot of alternative letters and is available in three versions: “Regular”, characterized by an unique look obtained by drawing the letters on a rough sheet, "Solid" and "Serif". Maraka is ideal for large headers, straplines and typographic compositions, but it still gives a great dynamic effect when writing wordy paragraphs. Download Maraka Font Family From Rosario Nocera

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of tha...

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